Interstellar Imdb Von 9,5 auf 9,1 bei „IMDB“: „Interstellar“ wird von Fans zurechtgerückt
Nach den ersten Vorführungen von "Interstellar" waren Kinozuschauer begeistert. In der Online-Filmdatenbank "IMDB" erreichte der Sci-Fi-Film. Interstellar ist ein US-amerikanisch-britischer Science-Fiction-Film unter der Regie von In der IMDb-TopListe lag der Film Mitte April mit knapp 1,3 Mio. Stimmen auf Platz 31 mit einer Durchschnittswertung von 8,6. PG | min | Animation, Adventure, Family. · Interstellar 7. Interstellar (). PG | min | Adventure, Drama, Sci-Fi. · Terminator 2: Judgment Day. or just by giving it a certain underlying tone the director wanted the movie to have - Hans Zimmers work in "Interstellar" comes to mind as the latest example. Die User der Film-Plattform Internet Movie Database (swedishwineassociation.se) haben jetzt darüber abgestimmt, welche Filme ihnen Interstellar - Film
or just by giving it a certain underlying tone the director wanted the movie to have - Hans Zimmers work in "Interstellar" comes to mind as the latest example. Interstellar auf IMDB. Score: 9 des A team of explorers travel through a wormhole in space in an attempt to ensure humanity's survival. Lesen Sie weiter auf. Platz 7 bei Netflix: Interstellar. IMDb Ranking: Platz 30; Wertung: 8,6/10; Netflix: Interstellar. Erscheinung: USA/Kanada
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This thing has to adapt, just like the rest of us. Cooper gently pries the control module out. This is Ms. Kelly, Murph's teacher.
Cooper smiles at Ms. KELLY, 30s, attractive. He's going to make an excellent farmer. The principal slides a carbon copy across the desk to Cooper, who looks taken aback.
You have to be realistic. He's only fifteen. I'm afraid Tom's score simply isn't high enough. BEAT inch inseam? Kelly stifles a laugh, then, with a look from the principal, takes on the appropriate look of offense.
A scientist? We didn't run out of trains or television sets or satellites. BEAT We ran out of food.
Cooper leans back. He's not going to win this one. And I'm sure your son Tom is going to make a fine one. But things are getting better.
Maybe your grandchildren will be able to attend college. Cooper looks down, swallowing his anger. Kelly here says that Murph brought a book to school about the lunar landings.
He slides an old textbook with a picture of a rocket on the cover across the desk to Cooper. Murph liked the pictures.
We've replaced them with corrected versions. The Soviets spent years trying to build rockets and other useless machines.
Cooper looks to the Principal for help. None is forthcoming. The kind of wastefulness and excess that the 20th century represented.
Your children would be better off learning about this planet, rather than reading fantasies about leaving it. Cooper is silent for a long moment.
If we had any of them left the doctors might have been able to find the cyst in my wife's brain before she died, rather than afterwards.
And then my kids could have been raised by two parents, instead of me and their pain-in-the-ass grandfather.
Kelly's face falls, ashen. Cooper swallows his anger. Most of it, anyway. Cooper gets up to leave. The radio KEYS to life. He ignores it.
Sits for a moment in misery. Finally he picks up the handset. Got a call from Riggs, down in Galveston.
Says some of the tractors you built him went haywire last night. I did. He wants you to come down in person anyway. Says he found something you should take a look at.
Cooper stares at the wheel. Shakes his head in frustration. Pulls a tarp off of an ancient Piper Cub. Checks it over. The radio crackles to life.
Permission granted. Welcome to the sovereign nation of Texas. Coop hangs up the radio. Banks the plane inland. A MAN waves up at Cooper's plane as it circles overhead.
Cooper lands the plane on a deserted roadway. Jumps down. He intercepts one of the combines as it trundles past, trying to reach the dunes.
He pops open the cabin. Inside is a mess of wires hooked into an auto-pilot not unlike the one he ripped out of the drone.
He checks the fault code and resets the computer. The man jogs over to meet him. Half of 'em took off last night, looking for something.
I thought you were the man to see it. Riggs starts walking up the dune. Cooper follows. Below, on the beach, a dozen more combines and other farming vehicles are lined up at the tideline, warm gulf water lapping at their metal flanks.
They are circling a deep crater. Cooper checks his rad meter. A tiny reading -- non-lethal. He takes off his watch and hands it to Riggs.
Then he slides down into the hole. He rubs a hand across its smooth composite bulk. Cooper wipes sand off of the object, revealing the faint, familiar outline etched into the side of the probe: The stars and stripes of the old federal government.
Cooper hefts it up and carries it to the back of his plane. Never seen one like it, though. Looks like it's been to hell and back.
Guidance satellites would have been shot down by the Chinese twenty years ago. Cooper looks at the probe for a second, admiring its form.
He turns to watch Cooper work, amused. The probe has been clamped to the kitchen table. Cooper gives up -- the torch hasn't made a scratch.
Clear it off the table so I can serve dinner. Tom and Murph walk in. Murph's got another black eye. Paul said anyone who believed we went to the moon was an idiot.
So I hit him. Hand me the scanner. Murph hands his dad a defibrillator he's modified for the purpose. He attaches the shock pads to the sides of the probe and turns on the power.
Numbers flash across the screen. Standard NASA encryption. Memory's been damaged. Just noise. Hold on. I've got something. Cooper unplugs a monitor from his computer and plugs it into the defibrillator.
Murph stares, transfixed. Cooper looks at the probe. Cooper shrugs. Turns off the monitor. Might be some copper inside.
What about the information onboard? NASA is all gone. I'm sorry, son. It got home too late. Donald pulls his chowder off the boil and slides the pot unceremoniously onto the table.
Cooper and Donald are alone at the table. Donald hands Cooper another beer. Cooper shakes his head in disgust. Reminds us how far we've fallen.
Some gadget or idea. BEAT But we made a lot of mistakes. Six billion people. Just try to imagine that. Every last one of them trying to have it all.
Donald rolls the bottle of beer in his hands. In a lot of ways its better. Tom will be all right, whether he goes to college or not.
It bothers me that he doesn't care. He fits in this world just fine. You're the one who doesn't fit, Coop. You don't belong here.
You were born forty years too late, or forty years too early -- I don't know. My daughter knew it, god bless her.
And your kids know it, too. Donald drains his beer. Walks to the screen door. Stops, one hand on the frame. And I'm sorry, Coop.
But that's not your kids' fault. Donald pushes out the screen door. Cooper looks at his beer. He stares up at the ceiling. This is his life.
Stumbles out the door. Cooper, holding a baseball bat, makes his way down the stairs. Cooper uses the bat to open the kitchen door.
Cooper, holding his ears, moves closer to the probe. He hits it with the paddles. No result. Finally, the clamps break off chunks of the table and the probe slams to the ground and ROLLS toward the front door.
Cooper and the others watch it roll toward the door. It stops at the wall. Cooper grabs it and rolls it toward the front door.
Once again, the movement shuts it up. Cooper keeps rolling it, but it doesn't seem to help. Murph looks up, sees the stars overhead.
Cooper zeroes in on the direction that keeps it quiet -- southwest -- and pushes it along in the dirt.
It's going to annoy us into taking it home. TOM What are we going to do? Cooper gets a rope. He begins tying the rope around the probe.
He's been sleeping with a pillow wrapped around his head. Murph, still suspended, looks up at Cooper, smiling. Murph looks crestfallen.
He looks out towards the yard. Cooper follows his stare. There's no one to take it back to.
What if there's something we can salvage? Cooper thinks it over. Murph scrambles to get his shoes.
Cooper walks over to the well, putting in a pair of earplugs. A line is staked off, leading down into the well below. Cooper begins hauling the line up.
Cooper rolls the probe out onto the ground. Los Angeles looks much the same way it did in the early 20th century -- small settlements in Santa Monica and Downtown.
Wildfires and earthquakes have shaken and burned what was left of the homes in between. Ahead, the Coast Highway peters out and disappears beneath rows of wild grass -- Malibu has become ranchland, once again.
Shame you can't eat it. Cooper stretches the hose over to the plane. Murph gazes out the window.
Cooper circles the island until he finds a long, flat grassland in the center of the island. Murph and Cooper climb down from the plane.
Cooper slings a rifle over his shoulder. A few dozen yards from the plane they reach the tree line. Murph stops, mesmerized by a patch of weeds studded with bright red -- strawberries.
Don't touch them. Cooper spots something in the foliage ahead that looks a little off. He walks over. He pokes at the undergrowth with his rifle.
Cooper reaches -- it's a camouflage scrim. He gently pulls it aside, revealing a chemical transport truck.
Cooper steps back, alarmed. He brings up his rifle. He looks around. Murph is nowhere to be seen. Cooper curses and heads into the forest to look for him.
He stops to get his bearings. Leans against a tree. Snatches his hand back -- the trunk of the tree is red hot. Cooper steps back -- it's not a tree at all, but a camouflaged chimney stack.
He looks up: the tree is venting steam. Cooper walks a little further, until he finds several massive tanks.
The tanks are filling with a bubbling liquid -- some kind of industrial process is taking place beneath him.
Cooper finally catches up with Murph at the edge of a clearing. There's some kind of underground facility here.
We might Cooper notices his son is frozen, staring at something: Standing bolt upright in the middle of the clearing, wearing an old straw hat, is an eight-foot-tall military spec ROBOT.
It's a marine. Haven't made them for thirty years. I've never seen one intact before. Cooper steps closer to the robot, which is frozen.
Its alloy frame heavily tarnished and weather-beaten. It looks like it might have been standing here for decades.
Cooper moves closer to it, looking into its blackened eyes. He steps back, clearly a little spooked. You could fix it up, get him to do chores.
I don't know what this place is, but we're leaving. Murph, ignoring his father, steps forward to touch the robot.
Cooper, stunned, points the rifle at the robot. Cooper punches him, then winces in agony. The robot opens his mouth and addresses Cooper calmly in the clipped tones of a US marine.
Murph raises the rifle butt. A voice stops him. I wouldn't do that. A woman, 30s, step out from the trees. The robot, evidently named Tars, looks at Cooper closely.
Then lets him go. You're not the kind of guy who turns a combat marine with a supercomputer for a brain into a riding lawn mower?
Cooper says nothing -- she's not that far off the mark. And don't come back. Cooper backs up. Tars holds up his mangled rifle.
TARS Don't forget your gun. When the war was over, they didn't know when to stop fighting. Keep moving. Cooper backs up to his plane.
Tars follows him. Tars responds instantly, striding past Cooper to the plane. He sees the probe. Tries to open the door.
It's locked. Reaches inside and pulls out the probe. The woman looks at it, stunned. MORE We'll figure out what to do with you later.
Tars stops, and two panels open in the ground, revealing a huge, reinforced service elevator. She keeps her weapon shouldered.
It belongs to NASA, which shut down thirty years ago when the federal government ran out of money. Brand says nothing.
The elevator slows to a stop at the bottom of the tunnel. Standing in the center, braced by a launch tower, is a ten story tall rocket.
Cooper, stunned, looks at Brand. Tars carries the probe over to an area of the hangar filled with electronic equipment.
It looks like six. Maybe seven. I can't tell from the radiation damage. The older engineer looks at the probe, astonished.
It must have been looking for Canaveral. Tars bolts the probe down into a purpose built rig. DOYLE, 40s, an engineer, begins hooking leads into the probe.
Brand ignores him. Doyle looks up from his monitor, frustrated. I can't open anything on primary. Brand looks up at Cooper. I got something off of it.
Cooper looks around. There's a safety station on the wall with a battery powered defibrillator. Brand nods, wary. Cooper walks over to the wall, takes the defibrillator, and hooks it up to the probe.
He taps into the current and runs a lead into the terminal. Brand's Father watches, fascinated, as Cooper fires the defibrillator.
The high voltage allows you to image the entire memory unit at once. Information begins appearing on the terminal's screen. Couple of clean sectors, though.
Suddenly, the monitor starts pulling good data off of the probe. The older man and Doyle begin sorting through it.
Cooper smiles at Brand, who seems less than impressed. The footage of the ice-covered planet Cooper saw earlier pops onto the screen.
The engineers and physicists get very quiet, studying the images. Trace radiation. Surface is ninety percent frozen water.
Ten percent rock -- sedimentary composition similar to limestone. Pockets of oxygen below the surface. Lots and lots of oxygen.
The older engineer studies the image of the ice-covered planet, thinking. Not even if this thing was gone for thirty years.
Brand looks at Cooper, appraising. She turns to the older engineer. If we're going to launch, we need to keep them here until afterwards.
Cooper points to a telemetry unit that is being repaired by a robot on a nearby bench. We've tested it a hundred times.
If the voltage fluctuates under load, the unit will fail. Had to rebuild every last one. Brand looks back at the telemetry system.
The older engineer watches the exchange, thinking. Tars is blocking the door. Cooper stands. Tars wags a long, hydraulic finger at him.
Cooper gives up. He turns back. One problem -- the engine isn't there. Their programming hasn't been updated to reflect their obsolescence.
Cooper notices through the glass door of the lab that Brand and the older engineer are arguing about something.
She finally relents and walks towards the door. Brand walks in. She gestures for Cooper to follow.
Your son can stay here. He'll be all right with Tars. Cooper eyes Tars warily. Then steps outside. Cooper nods at the older engineer.
And he was in charge. But he decided that we needed someone who could lead the mission for the foreseeable future. A smaller, human sized robot is staring at the rocket, giving them instructions.
The robot looks up. This is CASE, the leader of the mission. Originally an air force pararescue officer, every part of him, from his alloy chassis to his voice, was designed to inspire respect and confidence.
He turns to Cooper. CASE You're the man who brought us the probe? We tested the telemetry board you warned us about.
It failed under high voltage, just as you said. Come with me, please. Case strides off. Case points to the picture of the ice planet recovered from the probe.
The planet you saw is a long way from earth. A very long way indeed. Brand looks down. Case notices. One of the curious things about humans is that the more alike you are, the more initially hostile you are to each other.
As if by design. Brand makes eye contact with Cooper, then looks away, embarrassed. Brand's father taps a few keys and the schematic he built fifty years beforehand flickers onto the screen.
A shortcut leading to a galaxy on the far side of the universe. We found it fifty years ago. Cooper looks at the animatic, taking it in.
None of them ever came back. Not until now. Case walks to the schematic. Looks at it. CASE Based on the information on the probe, we're finally preparing to send the manned mission.
CASE The main ship was built in orbit. It has nuclear engines, with enough fuel to last for several years. Cooper looks at the schematic. I already told you I'm not going to tell anyone about this place.
We're telling you this because I want you to join us. Cooper looks at him. Is he serious? Brand's Father and several other members of our crew have gotten Brand's Father looks down, stoic.
Brand looks angry. All of the skills you seem to have developed. Any training. You people have been preparing for this for years. Case shakes his head.
CASE Humans worry about things like rank and experience. I'm only concerned with whether someone would be useful.
Cooper is stunned. This is the offer he's waited his whole life for. And it's come too late. I'm sorry.
Cooper is deeply conflicted. But he can't leave his boys behind. I have responsibilities. Things that, no offense, are more important than a scientific mission.
And this is not a scientific mission. It's a rescue mission. He rises and shakes Cooper's hand. I hope you'll reconsider. Case steps to the door.
Cooper looks at Brand. Rescue who? Then the second set of doors open. Cooper squints -- the light is blinding.
Through the glass, Cooper can see an acre or so of corn plants. Cooper looks at the plants. They're all badly wilting.
But this one targets everything. Essentially it's more efficient at consuming our food than we are. Cooper looks at the dying corn.
But it will. We've grown a dozen forms of it that can. It's just a matter of time before the same ones develop out there.
BEAT The mission is to rescue us. She turns back from the glass. We're rebuilding. We'll find something.
Some new technology We always have. The universities are a joke. People like you are reduced to scavenging just to get by.
We have two, maybe three generations left. Then our time here is over. Cooper turns back from the glass, anger growing. And you didn't try to tell anyone?
So humanity could spend the last fifty years of its life fighting over the scraps? It's better that they don't know. Cooper begins to argue, then stops.
He knows enough history to know she's right. He looks at the withering crops. We'll set up a colony, then return to bring more people across.
Maybe a thousand. She looks him directly in the eye. You can come with us or you can stay here and wait to die. I don't care. BEAT But make no mistake -- this mission is our last chance.
Cooper looks at the wilted corn. He looks back at Brand, who holds his eye for a beat, then turns back into the light of the underground facility.
Cooper buckles Murph into his seat. Cooper has told him everything. Your life. Your kids' lives. The whole crazy story.
He looks at Cooper. I have to look after the boys. Besides, I'll be here to look after them, same as I've always been. You do. Cooper looks back out the window, thinking.
The night sky is filled with stars. He gives his son, Tom, a hug. Cooper looks to the back of the house. Cooper steps inside. He notices a packed suitcase sitting by the door.
The boy looks up, hopeful. I weigh about 85 pounds. Now that's an extra ton of fuel. I'm like you. I don't fit here, either.
Cooper puts an arm around the boy. Tears are streaming down the boy's face. Cooper takes his watch off. Will you do that for me? Cooper hands Murph the watch.
The boy nods, saddened. I promise. Murph shakes his head, but the sadness remains. He knows this is goodbye, even if his father doesn't. Heart breaking, Cooper hugs his son and turns to the door.
Donald is at the controls. Cooper climbs down, pulls out his bag. Reaches back in and grips the old man's hand to say goodbye.
Cooper turns and walks toward the bunker. The doors open and Tars and Doyle step out to greet him. Tars ushers Cooper onto the elevator.
Cooper looks at Tars, then Doyle, confused. They gave him a sense of humor to help him fit in with his unit better.
A massive, sarcastic robot. Tars points to a tiny LED over his eyebrow. TARS Great. Maybe you can use it to find your way back to the ship after I blow you out the airlock.
Tars looks back, deadpan. After a beat, the little light turns on above his right eyebrow. The doors to the bunker begin to grind closed.
Brand sees him. He smiles in greeting. She doesn't return the gesture. Instead, she holds up the telemetry board. She heads for the door.
The government was getting rid of some things. So we arranged to take some off their hands. She cuts the engine and hooks the boat up to a buoy.
She tosses a compact rebreather. Tap my arm or bang something metal if you have a problem. And don't get lost. She picks up her rebreather and begins looking over it.
I thought you were a biologist. We all need expertise in at least three fields. Except for you, of course. With that she rolls backwards out of the boat and into the water.
Cooper hastily fits his rebreather and follows. She pulls out a flashlight and turns it on. A tiny beam picks out details at the bottom.
Cooper stops breathing. The bottom of the ocean is covered with an entire fleet of the US navy. Nuclear subs. Cooper remembers to breath again.
Then he hurries to catch up with Brand. She holds it up for Cooper. He nods. She swims on. Cooper sets the board down. His eye is drawn to a bizarre experiment -- an ant colony built into a massive spinning centrifuge.
Brand notices. We experimented with collective organisms in high g environments. Cooper looks at the tiny colonies of ants struggling to go about their business in the raised gravity.
Life couldn't form without gravity. No stars. No planets. The component pieces would just drift apart. But too much of it and you're trapped.
Brand's guard relaxes a tiny bit as she talks about her work. The moment passes quickly, and she continues on into the stack of equipment.
Brand steps into the back of the room. Cooper notices her and nods. She ignores him. CASE We've updated our mission parameters based on the data from the probe.
Case switches the map to a vista filled with stars and black holes. Case zooms in on the center of the hologram: an incredibly bright mass with plasma jets firing off in either direction.
ROTH, 50s, the crew's brilliant and blunt physicist, zooms the map in, revealing, at the center, a black heart. ROTH No. A black hole.
There are several in the region, but this is the largest -- a billion times heavier than the sun. I call it Gargantua. It's a shame we won't get to see it up close.
Falling into a massive black hole. Case continues. Doyle leans over to Cooper, conspiratorially.
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Murph kieltäytyy hyvästelemästä isäänsä, joka jättää toisen rannekellonsa Murphin huoneeseen, jotta he voisivat vertailla heidän välistä suhteellista aikaeroa Cooperin palattua.
Madonreiän läpi matkattuaan retkikunta suuntaa kolmesta potentiaalisesta planeetasta lähimpänä sijaitsevalle Millerin planeetalle, joka paljastuu valtameriplaneetaksi.
Retkikunta löytää polvenkorkuisesta vedestä Millerin aluksen pirstaleina, ja pian valtava hyökyaalto yllättää heidät. Doyle saa surmansa, ja lisäksi aluksen vettyneet moottorit viivästyttävät lähtöä.
Planeetta sijaitsee niin lähellä Gargantuaa, että parin tunnin oleskelu planeetalla vastaa 23 vuotta Endurance-aluksella, jonne jäänyt Romilly on selvästi planeetalta palaavia Cooperia ja Brandia vanhempi.
Aluksen polttoaine riittää vain toiselle jäljellä olevalle planeetalle pääsemiseen. Cooper päättää suunnata Mannin planeetalle, sillä hänen tukikohtansa lähettää yhä radiosignaalia.
Matkalla he katsovat Maasta lähetettyjä videoviestejä: maatilaa ylläpitämään jäänyt Tom on mennyt naimisiin ja saanut kaksi lasta, joista ensimmäinen kuoli pölyn aiheuttamaan keuhkosairauteen, Donald on kuollut ja Murphista on tullut avaruusfyysikko.
Murph myös kertoo, että hän sai kuulla John Brandin viimeiset sanat tämän kuolinvuoteelta: todellisuudessa ainoa suunnitelma on ollut alkioiden siirto uuteen galaksiin, sillä ensisijaisen vaihtoehdon edellyttämän painovoiman singulariteetin ratkaiseminen edellyttää tietoa mustasta aukosta, mikä ei ole ajan fysiikan tietämyksen mukaan mahdollista.
Mannin planeetalle laskeuduttuaan Endurancen miehistö herättää Mannin syväjäädytyksestä. Hän kertoo, että jäätikkömäisen planeetan alaosista löytyy alueita, joilla ilmakehässä on ammoniakin sijaan happea.
Mann päättää vakuuttaa epäuskoisen Cooperin ekskursiolla , mutta repii Cooperin radion irti ja rikkoo tämän kypärän visiirin.
Hän paljastaa manipuloineensa dataa houkutellakseen jonkun tulemaan pelastamaan hänet. Samaan aikaan Romilly saa surmansa Mannin asennuttamasta räjähdeansasta.
Cooper onnistuu löytämään radionsa lumihangesta, ja Brand lähtee pelastamaan tätä. Yhdessä he lähtevät kohti Endurancea paenneen Mannin perään, joka epäonnistuu yrityksessään telakoitua alukseen.
Endurance räjähtää surmaten Mannin. Cooper päättää yrittää telakoitua hallitsemattomaan pyörimisliikkeeseen ja kohti planeettaa syöksyvään Endurancen jäännöksiin, lopulta siinä onnistuen.
Vähäisen polttoainemäärän vuoksi he käyttävät Gargantuaa painovoimalinkona kohti viimeistä jäljellä olevaa, Edmundsin planeettaa, mutta mustan aukon läheisyyden vuoksi he menettävät jälleen 51 vuotta.
Cooper ja TARS tiputetaan omissa kapseleissaan Gargantuan ytimeen, josta he löytävät itsensä äärettömän tesseraktin sisältä. He ymmärtävät rakennelman olevan kaukaisen tulevaisuuden ihmisten luoma.
Cooper rullaa ajassa taakse päin, jolloin hän näkee lapsuuden Murphin huoneen kirjahyllyn läpi ja havaitsee voivansa vaikuttaa rajallisesti huoneen painovoimaan.
Cooper rullaa ajassa eteenpäin löytäen aikuisen Murphin tutkimassa omaa huonettaan. Cooper lähettää TARS:n tapahtumahorisontin sisäpuolelta keräämän datan morsettamalla huoneeseen jättämänsä kellon sekuntiviisarilla.
Tesserakti romahtaa. Myöhemmin Cooper herää Saturnusta kiertävällä avaruusaluksella. Hän löytää vanhuuteen kuolemaisillaan olevan tyttärensä.
Murph oli onnistunut Cooperin lähettämien tietojen avulla täydentämään loppuun Brandin laskelmat ja ratkaisemaan painovoimapropulsioteorian.
Tämän ansiosta tähtien välisen matkustamisen hallitseva ihmiskunta voitiin evakuoida tuhoutuvalta planeetalta. Cooper ja TARS lähtevät kohti Edmundsin planeettaa, jossa ilman avaruuspukua kävelevä Amelia valmistautuu uuden siirtokunnan perustamiseen.
Rotten Tomatoes -sivuston mukaan arvostelun perusteella laskettuna kriitikoiden arvosteluista 71 prosenttia oli positiivisia.
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